Status of the Site and Commissions

So, anyone who has tried to access the site in the last couple of weeks probably saw a very nasty warning page from google stating that the site was likely an attack site. This has been fixed! It seems my site was the target of a nasty bit of malicious code insert that tried to install malware whenever anyone visited it. I’ve been working with my hosting provider and the site is now clean again. If you have visited the site in the last 2-3 weeks and ignored the warning page, it wouldn’t hurt to run your favorite malware/virus checker just in case.
On brighter news, I have a few commissions slots open over the summer, but only for things which I already have the molds for. These items include:

I just won’t have time this summer to take on any new, custom commissions with my current workload and preparation for DragonCon. I will have time to prepare things I have already created molds for, however, and may also be able to provide any of the above listed items in kit form. Use the commission inquiry form to inquire.

Commission status and more client photos!

This is a post to explain the status of my commissions in the coming months. I am currently all booked up until August or September for custom commissions. My time will be taken up making gear for Megaman, Edward Elric, Felix Faust, Rosalina and Adam Warlock costumes; quite an eclectic mix, no?

However! I do still have some spare time in my schedule I can devote to filling some additional orders, so long as they require no sculpting, patternmaking and initial fabrication. This means that I can create anything that I already have molds for; jewelry, pauldrons, knives and staves! I have put together a list of what pieces I still have molds in good condition to make, with prices for the simpler things. For the larger pieces, just contact me with all of your particulars and I’ll get you a quote. For certain items, like Lightning’s Pauldron, I would be willing to sell resin kits. You’d get the raw resin casts from me and do the sanding, painting and assembling yourself. This is a good deal for folks with the time and skill to spare to do the finishing work and who’d like to save some money.

Here’s the list!

Quick turnaround pieces (2-3weeks maximum work time):

Final Fantasy 13

Snow’s NORA necklace: $45.00 Image
Snow and Serah’s Engagement Necklace: $45.00 Image
Serah’s Earrings: $15.00 Image
Lightning’s Necklace: $20.00 Image
Lightning’s Coat Hardware: $85.00 Image Image 2(One D buckle, One large slide buckle, four slide buckles, three three point buckles, four square fasteners, four silver “grommets”, six gold disks) I can create just parts of the set as well, contact me for individual prices.
Lightning’s Bullet Holders: $20.00/pair Image

Final Fantasy 6
Terra’s Earrings and Necklace: $50.00 Image

Gems

I can also cast colored, foil backed clear gems, including special effects such as opalescence, pearlescence, embedded items and create custom clay settings. Examples Here and Here

Moderate turnaround pieces (2-3 weeks turnaround):
Contact me for prices, as options affect the price.
Lightning’s Pauldron Image
Lightning’s Survival Knife Image
Snow’s Badge/Amband Image
Light Staff from FFXI Image Image

I already have a large stock of small parts, including many necklaces needing only a few days to assemble and complete, a large stockpile of jacket hardware and several cast resin gems which can be sold as-is or foil backed:

Just shoot me an E-mail at joy (at)joysutton.com or use the commissions form!

 

I also have the pleasure of postinga photo of a really lovely client from France with one of my Survival Knives!

This amazing costumer can be found at her site, HERE, or at her facebook site HERE.

Take care out there, and expect to see a new video documenting a really fantastic process I’ve started using soon!

Showcase – Lightning’s Suvival Dagger v2.1 and Vanille’s Heavenly Axis staff!

Been busy with a couple rush orders and several orders for things you folks have already seen if you watch this blog. I do have some new things though, an updated, upgraded version of the survival knife:

 

 

 

 

 

 

 

 

 

 

 

 

This version is nearly 100% resin, which is far sturdier and able to hold much better details. The handle is a resin core wrapped in heat formed eva foam. The caps are the ones described in my filigree tutorial.

 

I also got a commission for this fantastic piece, Vanille’s Heavenly Axis staff!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

This piece was a lot of fun to create, and I’ll be posting a photo journal of it later. The core of the handle is heat formed pvc, with wonderflex detailing and bondo reinforcement. The antlers and head have a galvanized steel wire base, with carved insulation foam bases, wonderflex shells and bondo again for reinforcement. The mitama/beans are cast in hollow resin. It is just under four feet long and weighs less than four pounds. The whole thing is hand painted and it collapses!

Filigree How-to

Happy New Year everyone! Let’s get it started with a quick step-by-step tutorial!

So, I was recently asked to make another survival knife from Final Fantasy 13, and while watching some of the trailers for 13-2, it became clear that the caps on the handle were far more intricate than I had originally thought. It was time to do some raised filigree work!

First, I used a bit of scrap paper to create the shape templates I would need for the end caps. I then started sketching the design I wanted onto the templates.

I then cut out the shapes in styrene. Next, use graphite papaer or rub the filigree design onto the styrene. It will be rough and hard to see, so then go over these lines with a sharpie to get nice, clean guidelines. Next, grab some fabric paint and carefully draw it onto your guidelines. I used Tulip slick  in white for the finer lines and details like the oak leaves, and puffy in black for some of the thicker lines. I also went back after this photo and carefully drew in all along the edge of the upper cap to give a raised border. Allow this to fully dry.

 

Now, take the dry fabric paint and styrene contraptions and glue them down to whatever you’ll use as the base for your mold. I used foamcore this time. Build up the edges to hold your silicone, and mold as usual. Since this is for a bent piece, and I cast this as a flat piece, when casting I did not leave the resin in the mold for the full cure time. It will take a little experimentation, but resin can be removed before it has fully hardened and shaped as you see fit. Wait until the resin has become opaque, no longer feels remotely tacky when touched with a glove and bends like underdone pasta. If the resin seems to stretch as you try to remove it, it is not ready yet, just leave it a little longer. Once pulled from the mold, I simply pressed the resin pieces onto the knife handle where they will eventually rest.

Here we have, from right to left, the original styrene and fabric paint base, the mold and the resin casting after being formed around the handle. The handle also sports two more casts. Now simply paint and assemble!

 

 

 

 

 

Here are two casts, up top is a primed cap with a brown base-coat, below is the result after dry-brushing the cap with gold.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Speaking of dry-brushing, I also made a quick video demo on the subject:

 

Hope this has been helpful, stay tuned for some new projects and some exciting news about the studio!

 

Been a while, eh? I’ve been busy!

So, Dragon*Con has come and gone, and it was a sad year for us. A few hours Saturday meandering the halls was nowhere near enough! Ah well, there’s always next year.

 

The bench has been pretty full the last month or so, filling orders for the fall convention scene. Here’s what’s been keeping me busy lately:

 

 

 

 

 

 

 

 

 

 

 

 

Arika’s Blue Sky Sapphire from My-Otome. Used a new technique on the gem in this, added a layer of some color shifting nail enamel to the back, the gem has the super cool aqua to sapphire opalescence. Sculpey, metal findings and a cast resin gem.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Ah, old school. These little earrings are for none other than the Dark Lady from Sailor Moon. Snagged some really awesome AB jet prism drops from an etsy seller, they have a very cool gold to rich purple metallic rainbow finish to them. Those caps were quite a feat to sculpt as well, they’re only 1cm tall! The full earring is about 3.5 cm in length. Sculpey with Swarovski prisms and metal findings.

 

 

 

 

 

 

 

 

 

 

 

And here we have Himeno’s tiara from Pretear. Started making my own molds to use with clear resin, and I’m very pleased with the results so far. This piece is attached to a wire headband for ease of wear. Photo taken on top of my Lightning wig, I don’t think she’d be caught dead wearing something so cute and girly! Sculpey, Resin, clear resin and a wire headband.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

A seemingly simple commission, The artwork version of Eclair’s earrings from La Pucelle Tactics. The problem? South Georgia’s summers are pretty much constantly 50% humidity or higher, so the paints I was using on this threw some hissy-fits. A little patience and some time with a heat gun eventually gave me a nice, even, pearly coat. Plastic, faux pearls and metal findings.

 

 

 

 

 

 

 

 

 

 

 

 

 

Yet another NORA necklace, I wasn’t happy with my old photos of this necklace, so I took a few new shots of my latest commission for one.

 

Now, I swear I took better photos of these next two commissions before I sent them out, but for the life of me I cannot find them, so a few phone photos will have to do.

 

 

 

 

 

 

 

 

 

 

 

Jason Todd’s (The Red Hood) dagger from Batman. This was a learning experience for sure, and I shamelessly pilfered a technique from one of Volpin’s step-by-step posts to create beveled edges without pulling your hair out. A ton of gap filling and wet sanding was also required, but the results were well worth it. The blade is super smooth and very shiny and the whole piece just -feels- right. I tell you, every time I held this thing I couldn’t resist the urge to make dagger fighting poses and slash it around. The dagger is 100% cast in resin, with a central metal post for support.

 

 

 

 

 

 

 

 

 

And here is the final finish on the handle. The comic goes back and forth on color a lot, but the client and I eventually went with a dark wood grain. Been a while since I drybrushed a wood texture, but I’m exceedingly pleased with the result.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

And now..the strangest request I have gotten yet! A nearly life-sized plush sheep! Now, it all makes sense when you know the character this prop will accompany, this sheep is the base for Deadpool’s meadowlands sniper sheep cannon! I don’t normally do sewn commissions, but I have a fair amount of experience sewing plush, and I felt confident I could give my client a quality sheep. The problem? You try finding a realistic sheep pattern. I ended up completely drafting this pattern from scratch, and certainly took some editing, but I’m truly pleased with the results. Hey, maybe I could market these to all the Catherine costumers, what do you think? Faux sheepskin, polyfill, poly-suede, buttons, galvanized steel wire in legs for support.

 

So! That’s it from me today, but expect more soon, the bench is still inundated with work and I’d like to put up another tutorial soon, so keep an eye out!